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Tag Archives: hensel usa

I nearly started this entry with a few comments about the absence of some companies from the Expo this year and the scaled back presence of others.  I stopped because I realized that this is not the story I wanted to tell.  I will leave that to others:  The real story is about who is there and the products and events that made me pause to find out more.  I call them the “Floor Stoppers!”

 

My first “Floor Stopper” is courtesy of Sony and photographer Matthew Jordan-Smith.  Smith, who shoots with the A900, presented “Finding Your Inspiration.”  It is an informative, visually stunning, and inspiring discussion which addresses an issue that many photographers deal with at some point in the pursuit of our craft.  It is a presentation that should not  be missed!

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 The next floor stopper is courtesy of Hensel USA.  The AC Adapter for the Porty Lithium 6 and 12 packs has arrived.  The availability of the adapter makes the Hensel Lithium a one-stop studio and location tool.  Price TBA.porty-L-ac-1

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Another “Floor Stopper” is a new product from Cameron Products called the SteadePod.  The SteadePod attaches to the camera tripod socket  It is essentially a retractable steel cable that uses a locking mechanism and foot pad in concert with the tension created by holding the camera to stabilize it.  It will undoubtedly remind many of a tape measure.  It fits in a pocket or camera bag, and could be of value in situations where you need support, but cannot use a monopod or tripod.  It’s priced under $30.00steadepod

Massachusetts-based LensPro to go and its sister company, Studioshare.org are my next Floor Stoppers.  Lens pro to go rents Canon and Nikon cameras, lenses, flashes and other camera accessories and will ship them to you anywhere in the United States.  This is a wonderful service for people who are traveling or people who live in areas which are not served by rental houses.Studioshare.org is an on-line collaborative resource which allows members of the photographic community to connect for services, equipment and/or studio space.

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So those are a few of the products, events or services that caught my eye today.  I’ll admit, they are different from what I imagined would catch my eye this morning as I was getting myself organized to leave, but perhaps is a reflection of where we are; or heck, maybe it is an indication that I am less of a “gear-head” than I thought!

My Photo Plus Expo day 2 Floor Stoppers are hdslr related, so they have been posted in a new Blog dedicated to the ever increasing number of motion capable cameras.  Click here to visit H(d)SLRs in Motion!

One of the more popular trends in photography today is the use of parabolic reflectors.  Now we are not talking about small metal reflectors but rather large and in several cases significantly larger umbrella shaped reflectors; at one end of the spectrum are the 5 to 10 foot tools like the Broncolor Paras, and the Profoto Giants, and at the other end the Mola Setti  and the  Elinchrom Deep Octa,  are examples that come to mind.  The quality of light that these shapers produce is truly wonderful, and is owed in part to a combination of their size, shape, depth, surface finish, and in some cases the ability to focus the light source.  With the exception of the Elinchrom, few of these light shapers are extremely portable, and none lend themselves for use with speedlights.

 

I have had a long standing love affair with these larger parabolics, as I like the directional properties of light they produce.  They play a prominent role in my photographic lighting.  I found myself looking for a smaller version that I could easily carry and have the option of using with speedlights.  Hensel must have seen me coming, because their 32 inch (80cm) Master White Parabolic Umbrella is just what I was looking for.

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Now I am not a big user of ‘traditional’ photographic umbrellas.  I have four of them:  Three came in lighting kits, and the fourth, a 60” silver model I purchased after using a 5 foot Profoto Giant, hoping I might get similar results for a fraction of the cost.  Not even close!  The distinctive deep profile of the Hensel was too hard to resist.  Vinnie at Foto Care, placed an order with Hensel USA and within a few days the umbrella which I have dubbed “Paralite” arrived.

 

The umbrella which is extremely well made comes in its own carry bag.  The setup and take down couldn’t be easier; if you have ever used an umbrella, photographic or rain, you know exactly what to do.  Get a light stand, the flash of your choice and you are ready to go.  The light from this umbrella is smooth as opposed to brilliant, which is no surprise as the interior is white.  Because of its shape, the angle of spread is narrower than a conventional umbrella of the same size.  The results are a directional but diffused light, with more defined shadow and contrast.  While you may be able adjust the position of some lights along the umbrella shaft, I would not characterize the Hensel as “focusable” in the same way that the Broncolor, Profoto, and Mola products are, as the shaft is relatively short.

 

For the portrait, wedding and/or location shooter looking to travel light, this umbrella is just different enough to be compelling.  It’s portable, easy to set up, and offers diffuse yet very efficient light.  If you are using a speedlight, consider using the widest setting for the best light distribution.  Hensel USA tells me that contrary to conflicting information on some retail sites,  the umbrella comes with a two year warranty. 

In my opinion,  the “Paralite” is a real winner.